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’ Even out of context, the show is just fucking hilarious, so, so clever in his writing.” While Groff was performing in ‘Hamilton,’ he got the news that his HBO series, “Looking,” was canceled.“Landing the show helped soften the blow because I was so upset that it was over.
‘Something Rotten’ came up for Brian, which originally wasn’t supposed to move to Broadway this season.Then Jeanine Tesori, who runs this program, reached out to me and asked if I wanted to do it next summer, this weird coincidence!“The show hasn’t been seen since 1998, and what is surprising is I thought we would just put it up and honor it, but [director] James Lapine and Bill wanted to look at it again and reshape and make it better than it was before.“And it’s not that thing where 99.9 percent of the time, you’re trying to get people to come see the show.With ‘Hamilton,’ you could feel the energy from the audience right away.because it’s one of those scores that people don’t know or haven’t heard in a while.
It’s my dream role, which is funny because I never think of dream roles.
Saved under Features, Film, Theater Tags: Andrew Haigh, City Center, HBO's Looking, James Lapine, Jonathan Groff, Lin-Manuel Miranda, Public Theater, Ramin Satoodeh, Tommy Kail, William Finn’s “A New Brain” BY DAVID NOH | Though actor Jonathan Groff’s HBO show “Looking” was recently canceled after just two seasons, he has definitely landed butter side up, with the fun and juicy role of King George in Lin-Manuel Miranda’s brilliantly soulful, burgeoning theatrical juggernaut “Hamilton,” set to open on Broadway this season. revival of William Finn’s “A New Brain” (New York City Center, 131 West 55th Street, through June 27; nycitycenter.org).
Radiantly handsome and delightfully real, he had just hopped off his bike (riding it to City Center from 16th street), told me he had the same antiquated microcassette recorder I was using (my digital having gone AWOL in the black hole that is my apartment), and described his latest musical foray to me.
I understood this character’s struggle between being a princess and being her real self. For me, at least, that was not a squeaky-clean, wide-eyed performance.
I owe everything to the people that were involved in came up…one character that, in a weird way, wasn’t a stretch, or that I could just read right off the page, was Fiona. JG: But I feel like that quality is what made me want to see you play Millie six times.
SF: It was a production of Everyone was like, “You have to speak louder,” but I didn’t want anyone to hear how bad my accent was.